JUDYIZM: AvatarFlick’s New Single

Write Up by @Killbillsbody

In the fast scroll of Arizona’s Underground scene, where clout often shouts louder than craft, AvatarFlick carves a lane by barely writing anything down. Every track is a snapshot of the moment: raw, reactive, and blatantly real. A “punch-in” artist to the core, Flick doesn’t rehearse his bars; he lives them. Line by line, he builds verses live in the booth, channeling whatever just happened yesterday or five minutes ago. The result? A catalog that feels urgent, unpredictable, and unfiltered by design.

Music is only one of the plates Flick keeps spinning. Behind the hooks and hazy flows is a full-time operator: OnlyFans manager, digital strategist, content architect. He delegates tasks to a team of assistants while dropping three to five posts daily, coaching creators, and stacking streams of income. The grind is real, but more importantly, it’s intentional. As he put it, “I wake up and I breathe this”—not because he’s chasing trends, but because building platforms, whether for himself or others, is the endgame. From studio sessions to spreadsheet tabs, Flick’s artistry bleeds into every corner of his digital life.

Now, with his upcoming tape Judyism, Flick sharpens that instinct into something bigger—something spiritual, even strategic. Born from years of snippets, studio sessions, and spontaneous creativity, Judyizm is less a rollout and more a revelation. It’s a full-circle moment for an artist who never tried to be a rapper, but now stands at the center of a scene he helped energize.

Q & A Interview

KB: Lets get right into it, the title is certainly a play on words- what is “Judyism” ?

AF: Umio ren came up with this. We were trying to find a name for the tape. We were trying to name the tape, and I wanted something about “the game”

since I'm a big wrestling fan—like Triple H. Nothing really clicked. Then Icy was like, “That’s Judyizm, bro.” We looked at each other like, yeah, that’s the name right there. It just worked. For people who don’t know, my brand is Judy on my hip. I say it in every song.

KB: is Judy on my hip a metaphor or is it more of a state of mind?

AF: It’s a metaphor and a way of life. Meaning what you say and saying what you mean. It means keeping your gun on you—sticking to your word,

sticking to your guns. That’s what it means to me.

KB:This has become a popular saying amongst one another- when did you initially coin this phrase?

AF: I first said Judy on my hip on the second song I ever made, and I haven’t made a track without it since. I’m a big wrestling fan, so I treat that line like my finishing move—something that sticks in people’s heads. Me and my homie K-Frio were freestyling in the crib one day, and he dropped a bar like, “I keep the hammer on me like Judge Judy.” I stole it instantly—I was like, “Yo, Judy on my hip.” It just stuck. That was around 2015 or 2016. I made it an official brand in 2020, threw it on a shirt, and said, yeah, this is it.

KB:I want to move more so towards the tape itself. You've been hiding this for a minute now - what mood were you in that brought you to release this

tape spanning over 4 years?

AF: This whole tape is Umeo Ren’s fault. I wasn’t even focused on music—he hit me like, “Bro, send me a bunch of songs, I’ll put something together.” I sent him a bunch I didn’t even like. But he swagged them out—sped some up, added drops and effects—and suddenly I’m like, “Yo, I actually like this now.”. He told me, “I know you’re in your content creator bag, but you gotta stick to the music.” A few hours later, he sends back a rough version of Judyizm, and it sounded crazy. He said, “I’m hosting this—we’re dropping it.” I’ve never put out a full tape before, so I was down. It’s nine tracks, and what makes it special is the lineup—real underground AZ energy. I got MTMWAN, PKM, Free Bizzo, LilMaziJug, and Spookikage on there. Most of them didn’t even know I was putting them on it. These were songs sitting in the vault that were probably never gonna drop, but now everyone’s audience gets to eat.

KB: This is a crazy lineup- what's a standout collaboration on this project. Something that truly brought this project together?

AF: I think the standout track is the one with Juan and Spooky Kage—everyone went crazy on that, the swag is just wild. But my personal favorite is the one with PKM. We’ve been trying to drop something for a while, but it was always rough drafts or unfinished. This is our first full, finished track, and it’s actually hard. He hasn’t been dropping much lately, so I think this one’s going to hit. Still, I think the Juan and Spooky collab will get the most attention—they’ve got real momentum right now, and the fans are gonna love it.

KB: Hell yeah man, as we speak Doomdivision is holding it down in London. We are excited to see our boys doing it big overseas. I want to move towards production- who shaped the sonic identity of Judyism?

AF: I got some beats from my boy Moses Got Water—he sent a few over, and I think I recorded some of them at his place. Shout out to my main producer, T-Sound. He produced the track with Shetty and me, and we recorded that one at my spot when I was living at West 6. Besides them and Umio Ren, those are really the only two producers on Judyizm. All the production is in-house, kept close to the circle.

KB: As we listen to the tape, it's clear that Judyism blends genres while floating back to the specific vibe you've maintained. What are some of the inspirations and sound palettes your building off of?

AF: That’s a great question. Half the songs- i cant even lie- are influenced by BabyTron for sure. There’s also some Slimesito, and this rapper I listen to named YNH Primetime—he’s a streamer and YouTuber, real saucy, and definitely left a mark on the tape. You’ll also hear a little Soulja Boy and Lil B influence there. Oh, and I forgot—Umeo Ren produced a beat on the project too. I also got a rare feature from my boy Waymax. People who know and love him are really gonna mess with that track.

KB: What kind of lyrics can we expect from this tape? Do you think there are any limitations set– do you think you're being dwindled down to one

genre? AF:If I’m going off what the audience would say, I guess my music falls under SoundCloud or underground. I’d call it underground for sure. There’s a lot

of autotune, a lot of game, and I’m really just rapping my life. You’ll hear that OFM (OnlyFans Management) energy in there too—it’s all part of the world I’m in.

KB: Your lore runs deep—there’s a kind of mysticism around who you are and where you came from. Do you think that energy shows up in the tape? AF: Yeah, for sure. Some of these songs go back to 2019 and 2020, and others are more recent. I’ve posted snippets throughout the years, so my real supporters—the ones who’ve been tapped in—are gonna hear tracks they’ve been waiting on. They'll recognize songs from when I had that first Snapchat, back when I was really trapping. The tape carries that history, that lore, so yeah—you’ll definitely feel it in there.

KB: Were there any tracks on Judyism that challenged you in unexpected ways—technically, creatively, or even in getting collaborators to lock in?

AF: Not really. My process is simple—I don’t overthink the theme or lyrics. I let the beat give me the words. If I can throw a “hey” on a beat and it sounds right, I know it’s going to work. Once I find the beat, I just punch in and get it done. Most of the songs on Judyizm were finished in about 20 minutes.

KB: Is that your usual production style—more on-the-go and in the moment, or would you consider yourself a perfectionist after the fact?

AF: Yeah, all my songs are on the go. I usually just rap about what happened yesterday, whatever’s on my mind at the moment. A lot of artists like to go back, tweak things, and make it perfect—but I prefer that raw, grungy sound. Think of Lazerdim—just punching in raw vocals with no edits. I don’t really consider myself a “rapper” like that. I honestly think I’m trash at rapping, so I don’t overthink it. I just punch in, say something real, and move on to the next track.

KB: With that being said, are you a hobbyist that sees the potential in music?

AF: Funny enough, I didn’t plan on rapping at all. I had two homies who took music super seriously, and I couldn’t rap back then. But I had money, so I funded everything—studio time, marketing, trips, whatever we needed. But they were lazy, not doing the extra work to push the music. I got frustrated and thought, “What if I just did this myself?”

So I tried it. My first song got 5,000 plays in a week. People were singing it at mansion parties, and I was like, “Yo, this is crazy.” At first, I did it to prove a point—to show them that making music is more than just recording and dropping. You have to build a community, post content every day, promote your music nonstop. They didn’t get that, but I did.

At first, all my songs were features, but then I made Jenny from the Whole Block by myself, and it went crazy. I tweeted, “I rap now,” and from that point on, I took it serious. I started selling features, middlemanning music videos, and selling merch—all off the strength of the music. So now, yeah, I consider myself a full rapper. But right now, I’m in get-money mode, stacking so I can fund the music even harder.

KB:I can see why it was frustrating having people take rap seriously without understanding the consistency it takes to blow up online. That mindset

feels like part of Judyizm. Since the title suggests a belief system or code—which you’ve said it is—what do you hope people walk away feeling after listening to the tape from start to finish?

AF: I hope they walk away with some game—and I hope they make money listening to this tape. I want Judyizm to be the soundtrack while they’re busting jugs and making plays. So years from now, they can look back and say, “Damn, I was listening to that Judyizm by Flick when I ran up 100K in the trap.”

KB:You mentioned that Judyizm spans different parts of your life. How does this tape evolve or redefine AvatarFlick as an artist? What’s different

about you now compared to your last project or single?

AF:It’s kind of a rebirth, for real. Half the songs were made back when I was still “slave-named Flick,” and now I’ve transitioned

into AvatarFlick—a free man. It’s a little spiritual in that sense. You’ll hear the progression throughout the tape—what I was on

back then versus what I’m on now.

KB: Beyond the tape, you’ve gone through name and lifestyle changes. You’re also tapped into OnlyFans management, content creation, and a lot of

behind-the-scenes work. How do all those things come into play with your music?

AF: Rap doesn’t pay the bills at first—you need a strong community and something to sell beyond just streams. If you’re relying on

streams alone, you won’t make money unless you’re Drake—and even he isn’t just living off streams. That’s why I use my OnlyFans

management work to fund the music. It all ties together. I’m around models and digital content all the time, so I rap about what I’m living. And if I need girls for a video, I just hit up my team. It’s all part of the same ecosystem.

KB:It’s clear how you’ve used money from one lane to fuel another—and it’s paying off. Your content creation is insanely consistent. I don’t think there’s

a day I wake up without seeing you live on YouTube or someone’s stream. How do you stay that dedicated? You’ve got to be tired.

AF:It’s a lifestyle. That’s the difference. People say they want to be millionaires or streamers, but they treat it like a side hustle. This

isn’t a side thing for me—this is my life. I wake up and breathe this. I’m posting 3–5 times a day, managing creators, coaching, and

working on business strategies. The key is turning the work into something fun. I enjoy the spreadsheets, the content, even coaching people and seeing them make

thousands from the uncommon game I give them. Also, I’m not doing it alone. I’ve got a team of assistants who handle the

time-consuming stuff, so I can focus on building the brand and staying consistent. That’s how I do it every day.\

KB:In our previous article on Dirt Gang, you mentioned your goal was to be behind the scenes—pushing creators and having people wonder how they

blew up. Since Arizona’s often left out of the spotlight despite having so much talent, would you say Judyizm is part of that mission to get everyone’s

voice out there?

AF:Yeah, that’s exactly why we put so many features on Judyizm. I post as much as I do to influence the people around me. Every

time I go hard with content, I see the "Flick effect"—my peers start going up too. So for me, staying consistent isn’t just about me.

If I fall off, it could stop other people from eating. Not to sound selfish, but I know my role is important in keeping everything

moving.

KB:As we wrap up, to clear up any misconceptions out there, are there any myths or misunderstandings about Flick that you want to address?

AF: Not that I’ve heard of. People are always going to talk—whether you’re doing good or bad—but nothing crazy has come to light.

I’m still pretty small in content creation and the community, so it’ll take time to get there.

I know eventually there’ll be old people saying Flick did this or that, trying to take down my character. That’s just what happens

when you start rising. I understand that, and I know when that happens, it means I’m moving in the right direction. So, I’m not

discouraged by it.

What becomes clear through every beat, bar, and behind-the-scenes anecdote is that Judyizm is more than music—it’s memory, momentum, and manifesto.

Spanning years of creative buildup, the project distills AvatarFlick’s philosophy into nine gritty, genre-bending tracks that manage to sound both immediate and reflective.

Collaborations with Arizona heavy-hitters like Juan, PKM, and Spooky Kage remind listeners that Flick’s reach goes far beyond solo ambitions; he’s building a bridge for the

entire local scene, one verse at a time.

In a world oversaturated with noise, Judyizm is a body of work rooted in intention—raw but deliberate, chaotic yet calculated. Whether you’re chasing a bag,

plotting your next move, or simply vibing out, this tape is meant to meet you where you are. So consider this your call to action: cue it up, press play, and let Judyizm show you

why sticking to your guns—your word, your vision, your grind—isn’t just a phrase. It’s a way of life.